Dino Georgeton is a Basel, Switzerland-based musician concerned with the political and social implications and potential of musical practice, with a focus on aligning conditions and means of production with modern social/political ideals, and engaging in self-criticism as a means of reflecting on society.


During his residency at DE-CONSTRUKT, Dino is exploring alternative production/consumption models through the use of participant-sourced noise and more individualized methods of distribution of the material back to the participants. This is a part of his research on alternatives to the hierarchical division treated as inherent to musical production, which is incompatible with social ideals.


Dino studied at Rice University in Houston, Texas and the Basel Hochschule für Musik in Basel, Switzerland, where he has lived and worked since 2015. He appears regularly as a percussionist and improviser around Western and Eastern Europe, as well as the United States.